Profile<\/strong> Mar\u00eda de Lourdes Naveillan Goycoolea Santiago, Chile \u00b7 1971 lourdesnaveillan@gmail.com www.lourdesnaveillan.com Instagram: @lourdesnaveillanart Profile Chilean visual artist whose practice operates at the intersection of painting, printmaking, and constructive processes. Her work investigates the relationship between matter, memory, and territory, articulating a visual language in which fragmentation, stitching, and stain function as mechanisms of symbolic reconstruction. […]<\/p>\n","protected":false},"author":1,"featured_media":474,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"class_list":["post-129","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/lourdesnaveillan.com\/en\/wp-json\/wp\/v2\/pages\/129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lourdesnaveillan.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lourdesnaveillan.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lourdesnaveillan.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lourdesnaveillan.com\/en\/wp-json\/wp\/v2\/comments?post=129"}],"version-history":[{"count":22,"href":"https:\/\/lourdesnaveillan.com\/en\/wp-json\/wp\/v2\/pages\/129\/revisions"}],"predecessor-version":[{"id":478,"href":"https:\/\/lourdesnaveillan.com\/en\/wp-json\/wp\/v2\/pages\/129\/revisions\/478"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lourdesnaveillan.com\/en\/wp-json\/wp\/v2\/media\/474"}],"wp:attachment":[{"href":"https:\/\/lourdesnaveillan.com\/en\/wp-json\/wp\/v2\/media?parent=129"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lourdesnaveillan.com\/en\/wp-json\/wp\/v2\/tags?post=129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nChilean visual artist whose practice operates at the intersection of painting, printmaking, and constructive processes. Her work investigates the relationship between matter, memory, and territory, articulating a visual language in which fragmentation, stitching, and stain function as mechanisms of symbolic reconstruction.
\nThrough a constant tension between order and chaos, her work proposes new visual structures and iconographies emerging from the residual and the organic, shaping a material poetics that reflects on identity, belonging, and trace.
\nShe is director and represented artist of Colectivo Croma Espacio, from where she develops and articulates curatorial and collaborative projects focused on the circulation and critical discourse of contemporary ar<\/p>\n","protected":false},"excerpt":{"rendered":"